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Model Iryna Rozhiyk wearing a regal drop-shaped pendant with aquamarine and diamonds, photographed by Vincent Alvarez for Soon Magazine (2007).
Door and side rose window of the church of Santa Maria del Fiore in Florence, a source of inspiration for countless Buccellati creations.
A sketch by Mario Buccellati (1960s) for a cuff bracelet with simple instructions which the craftsmen interpreted with their experience and mastery.
Mario and Gianmaria Buccellati working side by side, as is often the case today, so that the creative legacy is passed on from father to son.
Iconic pieces from the 1950s: a cocktail ring, a cuff bracelet and a hard make-up bag with coloured cabochon stones.
An envelope from the long correspondence between Mario Buccellati and Gabriele d’Annunzio: exchanges of artistic visions which led Mario towards new stylistic experiments.
I started Tonozzi & Co. to honor my father, John Robert Tonozzi Jr.
A man I believed I understood as a boy, but whose depth I only came to appreciate as I grew older. I watched him work with his hands, shaping metal with patience and pride. To me, he was simply my dad—quietly providing for his family, holding himself to a standard of craftsmanship that never wavered.
It wasn’t until I became a man myself that I truly understood the weight of his journey.
He was born to an immigrant father of the same name and grew up in a family that valued hard work. After serving during the Vietnam War, he returned home searching for purpose. In 1972 he learned of an apprenticeship at Edmonds Jewelers under a master goldsmith named Eric Krabo.
That opportunity didn’t just change his career—it changed the trajectory of his entire life.
Under Krabo’s mentorship, he learned the lesson that guided every piece he ever touched: “The sign of a weak craftsman is one who blames his tools.”
There were no shortcuts. No excuses. Just dedication, discipline, and the quiet pursuit of excellence.
He worked until his hands were cracked and bloody, letting the quality of his craft speak louder than words ever could.
He became a master goldsmith before opening Tonozzis Jewelry Repair with my mother, Susan. Their shop—and their life together—became the foundation of everything I know about trust, craftsmanship, and service.
Tonozzi & Co. exists because of them. It’s my way of carrying their legacy forward into a new generation.
This is me next to my dad as a child
Trying to act like him and craft things out of sandpaper and filings
The Begining
1880s
1910s
1920s
1950s
1970S
1980S
Today
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